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midhat kapetanovic

 

History remembers three major disasters to forever mark in derk letters the date of august 7th, 1976; the Great Coalmine cave-in in Bosnia that took dozens of lives, the first public presentation of the VW „GOLF“ prototype in Frankfurt and, probably the least advertised one of all, the Hellgate opening beneath the maternity clinic in Sarajevo's „Koševo” general hospital. A little is known about this incident, except that the representatives of all major religions and confessions agreed on demolishing the aforementioned edifice and moving of the establishment onto a newly constructed clinic “Jezero”. It was also decided to keep a constant vigil over the unfortunate newborns that happened to be there on that fateful day, in case they became minions of the Anti-Christ or decided to pursue a career in the arts.

Known among the Satanists as the only “chosen one” to be born with a double-quotation mark sigil on his head instead of the more traditional triple-six one, Mido decides early on to start a career in the areas of illustration and conceptual design. After successful outings into the realms of film, as a storyboard artist in Danis Tanović’s movie “Hell”, and theater as a conceptual art-director in plays “Circus Inferno” by Pjer Žalica, and “Silk” by Branko Vekić (the titles are a pure coincidence, we assure you), Mido discovers the joys of the pen-tablet and the digital illustration.
He currently lives an works in Sarajevo, where he is directing his energies towards the perfection of the illustration techniques and graphic communication, abolition of the use of coconut in the process of making traditional Bosnian sweets, and taking over the world by the age of forty.

Historija pamti tri ogromne katastrofe koje su u kalendar crnim slovima upisale 7. august 1976; fatalno urušavanje rudnika mrkog uglja u Bosni koje je odgovorno za gašenje života desetina poginulih rudara, prva javna prezentacija automobila VW „GOLF“ na auto-sajmu u Frankfurtu i možda najgora i najmanje poznata od svih, otvaranje džehennemskih vrata ispod zgrade starog porodilišta bolnice „Koševo“. Malo se zna o ovom incidentu, osim da su predstavnici svih vjerskih zajednica naredili rušenje zgrade do temelja i preseljenje Porođajne Klinike u novoizgrađeni objekat „Jezero“. Odlučeno je da se na jadnu novorođenčad koja su se zatekla tog sudbonosnog dana na Koševu uvijek drži jedno oko u slučaju da postanu sluge Nečastivog ili da započnu karijere u umjetnosti.

Poznat u krugovima satanista kao jedino „odabrano“ dijete koje se umjesto sa znakom tri šestice rodilo sa znakovima duplih navodnika, Mido odlučuje započeti karijeru u oblasti ilustracije i konceptualnog dizajna. Nakon uspješnih ekskurzija u svijet filma, kao storyboard artist u  filmu „Pakao“ Danisa Tanovića i pozorišta, kao konceptualni art-direktor u predstavama „Circus Inferno“ Pjera Žalice i „Svila“ Branka Vekića (naslovi su puka slučajnost, vjerujte nam na riječ), Mido otkriva radosti i sreću pen-tableta i digitalne ilustracije.

Trenutno živi i radi u Sarajevu gdje su njegove aspiracije usmjerene ka usavršavanju ilustracijske tehnike i grafičkog izraza, ukidanju masovne upotrebe kokosa kao začina u tradicionalnim bosanskim slasticama i osvajanju svijeta do četrdesete godine.

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All work is copyrighted by their respective artists.